Taking as the point of departure the idea of myth, the origin, and the ritualistic repetition, Remote Control seeks to connect artistic productions with the principles of pagan worship beliefs. In the search for identity, the artists examine the influence of indigenous peoples of South America and the impact of European history as a way to understand the configuration of the hybrid mestizo.

As an ethnographic exercise, the show operates with the past and the present through the interpretation of ancient symbols in mutual reciprocity to everyday objects. In a constant duality, the exhibition exists as a juncture between the sacred and the profane: the precise place where human beings seek to find what they cannot see.